Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | Mother and Daughter | Carpenter Hellberg-s Children | flicka i bygdedrakt-lisbeth i sin delsbodrakt | Suzanne,Study for For Karin-s Name-Day | goteborgs grundlaggning pa oversta trapplanet |
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Ferdinand Richardt
(10 April 1819 - 29 October 1895) Danish-American artist, in Denmark known for his lithographs of manor houses, and in the U.S. for his paintings of Niagara Falls and other landscapes. Ferdinand Richardt, the son of Johan Joachim Richardt and Johanne Frederikke ne Bohse, was born in Brede, north of Copenhagen in 1819. His father ran the inn/company store at the Brede factory. In 1832 the family relocated to nearby Ørholm to operate the inn at the paper-factory there. In 1839, they moved to Copenhagen. Ferdinand became briefly a carpenter's apprentice in 1835, but soon decided on a career in fine art, following the lead of his brother Carl. Beginning in 1836 Ferdinand studied at the Royal Danish Academy of Art under the architect and designer Gustav Friedrich Hetsch, the historical painter J. L. Lund and the classical sculptor Bertel Thorvaldsen. Richardt was awarded the Academy's small and large silver medals in 1839 and 1840, respectively. In 1847, he received a five year stipend from the crown, on the condition that he deliver one architectural and one landscape painting each year to the royal collection. Between 1855 and 1859 he visited in the United States. He maintained a studio in New York City, while traveling during the summers to Niagara Falls and to various destinations east of the Mississippi River. After returning to Denmark, Richardt married the widow Sophia Schneider ne Linnemann (1831-1888) in 1862. They traveled for part of a year in southern Europe, and from 1863 they lived for a period in England. In February 1864, Queen Victoria invited Richardt to display his art work to the court at Windsor Castle. In 1872 and 1873, Richardt sold many of his accumulated paintings and lithographs before emigrating to the United States with his family. They lived first in the town of Niagara Falls, N.Y. where the artist again produced canvases depicting the great waterfall and the surrounding area. In 1875, the Richardts moved to San Francisco, and finally in 1876 to Oakland. For the remaining twenty years of his life Richardt was active as a painter of California landscapes with a concentration on the San Francisco Bay Area. He exhibited and sold his works in San Francisco until at least 1887. At the same time he taught drawing privately. At his death in 1895, Richardt left a daughter, Johanna (1862-1897), and a stepson, Joost Schneider.
Jean-Baptiste Pater
Jean-Baptiste Pater (December 29, 1695 - July 25, 1736) was a French rococo painter. Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Academie in 1728, presenting a large military work in the popular Watteau style - La Rejouissance des Soldats (Louvre).[1] Pater adopted the popular Fete galante subject matter, heavily imitating his teacher Watteau, indeed he directly copied some of his figures. Pater used a traditional Rococo pastel palette. His most characteristic difference in style from other artists of the time surrounded his use of shimmering lines. His most prominent customer was Frederick the Great, who sat for two portraits in the "Turquerie" style: LeSultan au Harem and Le Sultan au Jardin. One of Pater's most renowned works is Landscape with a Cart (Schloss Charlottenburg), which is considered to display a feathery application of paint that anticipates Francesco Guardi. The delicately constructed subject matter and figures subordination to the buildings represent a movement away from fete galante, however this development was cut short by Pater's death in 1736.
Clara Peeters
Clara Peeters (1594 - c. 1657) was a Flemish painter noted for painting still lifes, particularly of breakfast scenes and florals. Few details of her life are known. She was baptized in Antwerp in 1594, and married there in 1639. She is known to have lived in Amsterdam and The Hague. Her first known work was dated 1608, when she was 14. The quality of this work reveals a master teacher, and scholars believe she was influenced by Osias Beert. He was probably also an influence on the flower paintings of her contemporary, Catarina Ykens I (1608/1618 - 1666/1685), who was the wife of Frans Ykens, a pupil of Beert's. Clara Peeters's last painting was dated 1657, and is now lost. The circumstances of her death are unknown.